This search is ultimately the driving force behind the story. Othello justice and passion essay have steadfastly overlooked even his most obvious attempts to make his meaning clear, and have missed all his own comments, which are the best keys to his plays.
From this it is clear at any rate that Coleridge saw the importance of a right understanding of the relations of Othello and Iago for a proper comprehension and interpretation of the play. In the matter of Othello and Iago, it cannot fairly be maintained that Iago was the sole cause of the calamities that befell Othello.
The writer of "Job" explicitly declares that Job was a righteous man, and that his misfortunes were entirely due to the malignity of the evil one. No wonder if we have begun to think perhaps after all the plays have no meaning to be discovered.
However, because the actions taken were more extreme, the consequences will also be worse. The names of these two Othello justice and passion essay critics have carried more weight in some quarters than their theories have deserved, and some students have been too willing to give up the search for a true moral interpretation of the plays.
He can again see his life in proportion and grieve at the terrible thing he has done. The history of the principle of "poetic justice" in English criticism shows that English thought has always applied itself to the more ethical phases of the drama, but we shall find that the classical and formal conceptions of the principle held in the seventeenth and eighteenth centuries were hopelessly inadequate for the living and romantic Elizabethan drama.
Othello, however, is not aware how deeply prejudice has penetrated into his own personality. Though succeeding ages have found plenty of reason for dissenting from many of his opinions we have never really departed from his method of interpretation.
By his action, previous to the opening of the play, Othello furnished the motive for lago, from which springs all his intrigue. The passing years, moreover, have forced the conviction upon many students that as the enigma of this play, and of many others, is "moral," so the true interpretation must likewise be "moral.
In his planning to obtain justice for himself, he plots revenge on not only Othello, but on Cassio as well. Types of love and what that means are different between different characters.
Beginning, then, with this passion, it is the art of Shakespeare to place his characters under those conditions that will show the true nature of their passion and develop it to its fullness and to its fated end. In the case of Othello, as ,of all the other tragedies, it is the passion of the hero that is the mainspring of all the action of the play that finally and certainly destroys the hero.
Moor, however, it may be observed, was used by English writers very extensively, and all the dark races seem, by some writers, to be regarded as comprehended under it.
After his sword had been taken from him in the last act, Othello says: For Othello, seeing is believing, and proof of the truth is visual. Once again, he speaks with calm rationality, judging and condemning and finally executing himself.
There are two or three types of such passion in Shakespeare, according to their moral character, but all alike give rise to the action of the play and lead the hero to his fate.
This man is "a being next to devil, and only not quite devil. Hamlet, an ideal prince, and other essays in Shakesperean interpretation: What Iago gives him instead is imaginary pictures of Cassio and Desdemona to feed his jealousy.
It is now time for criticism to reach the conviction that Shakespeare wrote with a very clear notion of what he was aiming at, and not by mere intuition or chance.
All these unsuccessful attempts to understand the drama come from long-continued but erroneous habits of interpretation. Some critics who regret that we have no external comments of Shakespeare upon his plays persistently ignore the numerous comments the dramatist has made within the plays.
It should be remembered that Othello was not a son of Venice, but a foreigner, and moreover a foreigner of a different race and color, with all that means of divergence of mind and character. Like all the dramatists up to his time he let his plays speak for themselves, and unlike many later dramatists he left no word of comment or explanation.
As Othello loses control of his mind, these pictures dominate his thoughts. In the preface to his edition of Shakespeare Johnson says: Whenever he is in doubt, that symbolism returns to haunt him and despite his experience, he cannot help but believe it. Carefully surveying the play, he reached the conviction that in Othello Shakespeare was portraying a man whose misfortunes were due to the intrigue of another, and were not intended by the dramatist to appear as retribution for any of his own misdeeds.
The passion of Othello seems more titanic, and the conflict more vital and elemental than that of King Lear. And while it must be admitted that no expositions thus far have proven entirely satisfactory, the many earnest attempts to unravel the "moral enigma" mark the only successes up to the present time that criticism has made with this most fascinating drama.
Othello demands of Iago "Villain, be sure thou prove my love a whore, be sure of it, give me the ocular proof" Act 3, Scene 3.
They are indeed so artistic that they have concealed his art, and unfortunately have also concealed his mind from us. For Iago, love is leverage.Othello – Justice and Passion Essay Words | 8 Pages. Othello is, without a doubt, one of Shakespeare’s most tragic heroes.
He fills every sense of the word, beginning as a character nearly without flaws but evolving into a misled, pitiful disgrace whose sense of justice has been warped by the darkness of Iago.
The Moral Enigma of Shakespeare's Othello. From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W.
Crawford. Boston R.G. Badger, Few of the plays of Shakespeare have from the first excited more intense interest among both theatre-goers and readers than the sad story of Othello and his life in Venice.
Free Essay: Othello is, without a doubt, one of Shakespeare’s most tragic heroes. He fills every sense of the word, beginning as a character nearly without.
The lady in waiting's passion for justice is what sets her apart from Othello, because of her great ability to express passion she is able to hold on to her humanity while Othello. Othello as Tragic Hero. From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W.
Crawford. Boston R.G. Badger, In the matter of Othello and Iago, it cannot fairly be maintained that Iago was the sole cause of the calamities that befell Othello. Essays - largest database of quality sample essays and research papers on Justice In Othello.
StudyMode - Premium and Free Essays, Term Papers & Book Notes. Essays; Resource Center; Sign Up Sign In each character has remarkable depth of passion as an individual.Download